The, you should really run to see Goodbye, Cruel World before it closes this weekend.  Robert Ross Parker adaptation of Erdman’s The Suicide dazzles and delights as he orchestrates a cyclone of serious fun with Cindy Cheung, Will Harper and Paco Tolson as  Semyon Semyonovich, the man who tries to kill himself.  See Zinoman’s thoughts on it here.

And then there is Young Jean Lee’s Lear.

And here is an interview with her that illuminates her process/inspiration for the play:

I haven’t been as moved by a piece of theater in some time and I admire the ambitious nature of her storytelling.   About 2/3 of the way through, the ceiling became the floor.  Run to see it.  It’s sold out, but there are wait list tickets, I believe.

In a week, I got to witness three pretty inspiring shows, all radically different.

Now, you might be asking yourself, “Carla’s a teaching artist.  She’s a playwright.  How does she have money for theater tickets.”  In these hard economic times, I appreciate that so many theatermakers are going to great lengths to get people like us in the doors.  I got Lear through the Soho Rep 99cent Sundays deal.   Goodbye, Cruel World had a half-price matinee ticket.  And Melanie Joseph at the Foundry put out the work to people in theater that she was going to offer the Plays/The Myopia double bill for $20 to folks who bought tickets for the first week in advance.  Now, the question is, how can Off-Broadway and Broadway houses take a cue from their downtown counterparts and get young folks, artists, and people who most desperately need to see theater, in the doors.

Knock knock.  Who’s listening?

Then, see what somebody sent me in the mail today.

Could Devoted and Disgruntled be one of many answers to prayers chucked like an Eli Manning Hail-Mary pass?

“The artists surveyed tended to earn either very little of their overall income from their artwork or almost all of it. Slightly more than 40 percent said that in 2008 they earned 20 percent or less of their total income from their art.”

Phooey.

How do we change this?

I grew up wearing them.  Green jumper in grade school.  Herringbone skirt and a blue blazer in high school.  I really kind of hated it at the time, because it’s hard to feel like an individual.  But it might explain my penchant for blazers and structured clothing now.

Sheena Mathieken is wearing the same dress for a whole year.

It’s an exercise in sustainable fashion and she is donating the proceeds to the Akanksha Project, a non-profit in Mumbai that uses volunteer college students to help educate children who live in the slums.

Look.

And there’s an interview with her on Flavorpill here.