Somehow it’s already August 16th. How did that happen?
It has been slow and fast, rolling and still all at the same time. Trying to get things in order before it all gets rugged again.
Playing in Traffic just went down and it was exciting to be a part of madcap theater on the writing end for a week. I’m really psyched about the wonderful volume called Out of Time & Place that Christine Evans and Alexis Clements have edited that includes all 11 of us from the 2008-2010 Women’s Project Playwrights Lab.
It’s Lynn Rosen, Laura Eason, Charity Henson-Ballard, Crystal Skillman and Christine Evans in Vol. 1 and Bekah Brunstetter, Alexis Clements, Nadia Davids, Andrea Thome, Kara Manning and yours truly in Vol. 2. I’m excited because it’s a truly diverse set of dynamic women playwrights but also because in this short two years, I’ve come to love and respect their work. Like a crazy person, I re-wrote TBA, so what lives in that book is different than the version that 2g produced a couple of years ago. Different beginning and end. I think it was the right thing to do. Hope that it was. It was actually a lot of fun to work on the interview that introduces the play with Lloyd Suh and Denyse Owens because the process itself was so fast and furious, we never got a chance to reflect. I think we might have all collapsed afterwards. So, we pulled out old notes, old drafts, and wracked our brains to remember. How did Lloyd get off book in three days to step into the role? How did Denyse transition the cast to a whole new guy? It was good to think through the how, through the process of it all. And all that thinking made me miss Silas quite a lot. You live with a character for a really long time, it’s always sort of sad to see them go away. It’s like they move to a different town. A faraway friend.
The Fringe is fast upon us and I’m excited about a number of things. Lots of friends doing really interesting things out there this year.
And then Andrea is going to Ignition, Victory Garden’s new play festival with her play Undone along with Rey Pamatmat who’s doing the beautiful Edith Can Shoot Things and Hit Them. If you’re in the windy city, you should go.
And then I know things are smoldering with Mike Lew’s Microcrisis, to be produced by Ma-Yi this fall. Matt Olmos said his new play the death of the slow’dying scuba diver will be going up as part of EST’s Octoberfest. Maureen Sebastian is in the new Circa Now and Then by Carly Mensch at Ars Nova in Sept. And it sounds like The Foundry is on the cusp of something extraordinary.
In times like these, when faith is waning, and it’s either raining or too hot, or people in this city are too angry, I look towards the things to come, to the moments of surprise and wonder, the truths that I will be told in dark rooms on hot nights, in a room full of people, with a lit stage, among the believers. Where in that moment, we imagine the world as something more than what is or some beautiful truth is illuminated that allows us to get up another day, get up and keep pressing on.
If you know of something that will keep my faith restored, post it here. I want to know of exciting things coming. And I need that faith restoration now more than ever.